The Palau Traviata Arts presents a mirror etched with the double standards
2 hours 39 mins ago Valencia, April 10 (EFE) .- El Palau de les Arts in Valencia today introduced a produccin of pear "La Traviata" by Giuseppe Verdi, in which love, jealousy, the despair and death that move the characters have been drawn on the mirror of the double standard. Continue reading the printed article with a stage designer Josef Svoboda diseada for scene and address by Henning Brockhaus, the prominence of this production, from the Association Arena Sferisterio of Macerata and the Foundation Pergolesi Spontini of Jesi, has had a large mirror that leaned over the background, plays the baroque decorations painted on canvas and placed on the floor of the stage. The disposicin facilitated oblique mirror in the first act , the voluptuous and sensual atmospheres abandon the living room of the house of Violetta, the courtesan who falls licentiousness of the young Alfredo, son of a Parisian family aristocrtica. The same mirror display in succession in the second act, the placidity idlica of the cottage where the couple lives, the lust of the house of Flora, the other court (or traviata), and the world in black and white to sepia toning that erupts when Alfredo's father demands Violetta to leave his son to save the family honor. Already in the third act, in light of the bedroom Violeta show the shadow of what fate has not been more than a beautiful dream, to finally reach the vertical and display it publicly himself, who becomes witness as exceptional in this double morality of a hypocritical and puritanical society that doomed the first representation of the peoples of "La Traviata . The musical director Lorin Maaezel, leading the Orchestra of Valencia Comuntiat, showed his genius with a vibrant reading psicolgica amplify the evolution of the characters, with enough flexibility to move from the frivolity the relentless but leads to death. Gerzmava Jibla The Russian soprano, who pas some troubles with the treble in the first act, profile in the two following to a violet sensitive and proud man, who knew how to sacrifice for love and , his voice more secure and settled, had moments esplndidos as the final concert of the second act, the aria of passato addio "and Alfredo do with the third act. Although no emotion in the toast of first act, the tenor Vittorio Grigolo was more convincing to start the second act aria and, in a voice profiled, was correct in the role of Alfredo, lovesick, discontented and repented of his ignoble behavior. Notable was the acting the Gabriele Viviani of Barton, as Alfredo's father, started the first applause of the night to the scene with purple and with the heartfelt aria "Di Provenza il sea, il sol", endorsed at the end with the intensity of the applause of the public. A note Also dances, with the seal of the local color inequvoco hispnico, featuring dancers Ricardo Snchez, Esther Jimenez and Laia Salvador, as well as evocative and effective voices Choir of the Generalitat. Full all in the Palau de les Arts in Valencia to see this production of La Traviata, one of the pears of the popular trilogams Verdi and which closed the 2009 season -2010 in the coliseum Valencia, sold out for several months for eight performances scheduled this work.
